Plugins (Process files through up to 4 VST/AU plugins). Gain Stage (Change Gain from -40dB to +40dB). Recording Delay (Add recording time to exported files when using time lengh modification plugins as reverbs and delays). Master Plugin (For audio analysing purposes). Presets Manager (Create your own presets. Store and recall the whole session. Plugins (Process files through up to 4 VST/AU plugins). Gain Stage (Change Gain from -40dB to +40dB). Recording Delay (Add recording time to exported files when using time lengh modification plugins as reverbs and delays). Master Plugin (For audio analysing purposes). Presets Manager (Create your own presets. Store and recall the whole session. VST or AU host sequencer; Windows: Windows 7, 8 or 10 (32 & 64-bit) VST host sequencer; Please Note: The demo is fully functional and has no time limit, but you can only use one instance per song and you can't save your settings. Antares Auto-Tune is the industry standard for vocal pitch correction and effects. Hear from top-charting producers, engineers, artists, and sound designers on how Auto-Tune fits into their studio and live workflow and sound.

MikeDeanis an American Grammy Award winning Hip-Hop producer. He is known for pioneering the Dirty South sound in the 1990s, particularly in work for artists from Rap-A-Lot Records.Deanhas most notably worked alongside Scarface of the Geto Boys, 2Pac, Do or Die, Tha Dogg Pound, Yukmouth of the Luniz, Outlawz, C-Bo, Nate Dogg, Tech N9ne, UGK, Z-Ro, Devin the Dude, among others. He has also mixed, produced and mastered many hits on multi-platinum albums.

“Decapitator made my 808 kicks on Desiigner’s ‘Timmy Turner’ growl and gave them great presence in the mix. Love it.”
https://youtu.be/ProbPpO_8oo

In recent years Mike Dean has become known for his work alongside Kanye West. He contributed to the mixing of West’s album Late Registration and the production of Graduation, the Kanye/Jay-Z collaboration albumWatch the Throne (to which he contributed 7 of 12 tracks), My Beautiful Dark Twisted Fantasy (for which Dean was credited on 9 of the album’s 13 tracks), Yeezus, several tracks from Life of Pablo, the tracks “Mercy” and “Higher” off GOOD Music’s 2012 album Cruel Summer. Dean also contributed tracks to Beyoncé’s Lemonade,provided Production, Additional Production, Mixing, and Mastering on Travis Scott’s RODEO, Travis Scott’s Bird’s in The Trap Sing McNight”, Frank Ocean’s “Blonde,” and Produced, Mixed, and Mastered 2 Chainz’ “Good Drank.”

So far in 2018, Mike Dean has contributed to Migos’ Culture II, Desiigner’s L.O.D., Pusha T’s Daytona, Kanye West’s ye, Kids See Ghosts’ KIDS SEE GHOSTS (a collaboration with Kid Cudi), Christina Aguilera’s Liberation, Nas’ NASIR, and Beyoncé/Jay-Z’s Everything Is Love, with more releases forthcoming.

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Mike Dean regularly performs on guitar and keyboards for both Kanye West and Travis Scott’s live shows. Dean’s record label is called M.W.A., and his first signed artist was Dice Soho.

Keep up with Mike Dean on his website, Twitter, Soundcloud, and Wikipedia.

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This free plugin will be added to your account automatically when you join Plugin Alliance. If you already have an account you can download and start using this plugin today.

Free!

Brainworx created bx_solo to introduce users to the M/S technique for recording, mixing, or mastering. Key features of Brainworx´s famous M/S & Mastering products are included, like their unique Solo Buttons, which allow you to individually listen to all components of a stereo mix or stereo signal.

Comprehensive solo features include; L (Left channel), R (Right channel), M (Mono sum, mid signal) and S (Stereo-Difference, side signal). This gives users the ability to listen to each component of a stereo mix when working in M/S modes, something modern DAWs often make difficult. bx_solo is also a powerful tool for checking your tracks or mixes for errors, noises, clicks and other problems.

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bx_solo contains a stepped M/S Stereo Width Control, so you can get a sense of how M/S technology can be used to expand the stereo width of tracks already recorded. Try it out on subgroups, FX returns, keyboards, or any stereo track that you’d like to spread out. A great pro trick is to use M/S processing on a rock guitar subgroup: just set the stereo width to 150% and the guitars will jump out of your speakers!

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Once you become more familiar with M/S technology and techniques with the bx_solo, we invite you to check Brainworx’s more sophisticated M/S tools like bx_control V2 and bx_digital V2, which offer additional features that greatly enhance what you can do to existing stereo material. For example, expanding stereo width can lead to phase problems, particularly in the low end. Both bx_control & bx_digital include the Mono Maker Tool that allows you to convert signals below a user-defined frequency to mono, largely eliminating these low-end phase problems.